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 <title>Krissy Tate&#039;s Video Response</title>
 <link>http://www.timelapsedance.com/node/199</link>
 <description>&lt;em&gt;I asked Krissy Tate, who has been working as an Intern for Time Lapse Dance to share her experiences for our blog. In addition to her video response to &amp;quot;Ghosts . . . and More,&amp;quot; she also created the &lt;a href=&quot;http://link.brightcove.com/services/link/bcpid1803212502/bclid1799109485/bctid1805615945&quot; onclick=&quot;window.open(this.href,&#039;&#039;,&#039;resizable=no,location=no,menubar=no,scrollbars=no,status=no,toolbar=no,fullscreen=no,dependent=no,width=608,height=380,left=500,status&#039;); return false&quot;&gt;video &amp;quot;trailer&amp;quot;&lt;/a&gt; which helped promote the season. -Jody Sperling, Artistic Director&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Video editing and dancing are my favorite creative outlets.&amp;nbsp; As an intern for Jody Sperling/Time Lapse Dance, I am given the opportunity to fuse these two passions.&amp;nbsp; My latest project for TLD is a montage of &amp;quot;Ghosts&amp;quot; from Ghosts...and More, our two-week season at the Ailey Citigroup Theater that closed last weekend.&amp;nbsp; The combination of David Ferri&#039;s lighting and Roger Hanna&#039;s projected backdrop initially inspired me to work with this piece.&amp;nbsp; I enjoy the way each dancer (Emily Lutin, Andrea Skurr, and Jody Sperling) inscribed brilliant patterns into the performance space with Michelle Ferranti&#039;s silk costumes.&amp;nbsp; I also love Quentin Chiapetta&#039;s original score, which was performed by Erik Jacobson (on cello) and Jeffery Middleton (on piano).&lt;br /&gt;&lt;br /&gt;The piece I created is extremely condensed, compared to its concert dance counterpart.&amp;nbsp; Working with the footage of documented choreography presents challenges.&amp;nbsp; For example, in only 1/20th of the dance&#039;s actual running time, this video needs to effectively speak to the viewer.&amp;nbsp; When cutting dance footage together, I strived to maintain the integrity of Jody&#039;s original choreography, while simultaneously incorporating my personal artistry.&amp;nbsp; An editor, like a choreographer, makes choices about the movement of the dancers and the transitions between sections of the dance.&amp;nbsp; After finalizing the dance clips, editing strategies, and special effects, the final product is revealed. The promotional video transforms the choreographer&#039;s artistic vision into a marketing tool.&amp;nbsp;&lt;br /&gt;-Krissy Tate, Intern&lt;br /&gt;&lt;br type=&quot;_moz&quot; /&gt;</description>
 <comments>http://www.timelapsedance.com/node/199#comments</comments>
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 <pubDate>Sun, 26 Oct 2008 08:17:46 -0700</pubDate>
 <dc:creator>Jody</dc:creator>
 <guid isPermaLink="false">199 at http://www.timelapsedance.com</guid>
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