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 <title>Introdans</title>
 <link>http://www.timelapsedance.com/node/177</link>
 <description>&lt;p&gt;I recently returned from Holland where I spent three weeks working with the Introdans youth ensemble. I set the &amp;ldquo;Night Winds&amp;rdquo; and &amp;ldquo;Fountains&amp;rdquo; excerpts from my trio Roman Sketches. It was amazing experience to work with a company of this caliber, one of the most-respected in The Netherlands. Here are some shots of the rehearsal process.
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
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&lt;p&gt;All the dancers have lovely classical technique. The ensemble&amp;rsquo;s repertory, though, is extremely eclectic (Hans Van Manen, Mats Ek, Nils Christie, Danny Ezralow, Alwin Nikolais, and Robert Battle are just a few of the choreographers with works in repertory). The dancers have become quite versatile and all are quick studies. The trio was double cast, so I had the pleasure of working with six dancers: one Brazilian, one Canadian, one Spaniard, one French and two Dutch women, each of whom gave a special quality to the movement.&lt;/p&gt;
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&lt;p&gt;Nicole Guarino (rehearsing above) who performs &amp;ldquo;Night Winds,&amp;rdquo; and her understudy Karine Lambrechtse (in video below), had the hardest task. The solo involves the manipulation of a long sticks under a huge costume, made from one hundred yards of extra-wide silk. The length of the wands and the size of the costume create a tremendous resistance for the movement. At first, Nicole&amp;rsquo;s hands would cramp up terribly after only a short time. The solo is two and half minutes long but it requires real stamina, as well as strong wrists and forearms.&lt;/p&gt;
&lt;p&gt;Once Nicole and Karine learned the basic technique and vocabulary, they could then begin to flow the movements over and along with the musical swells. For instance, the &amp;ldquo;half-umbrella&amp;rdquo; move repeats rising as the melody line also ascends.&lt;/p&gt;
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&lt;p&gt;Teaching this solo to other dancers forced me to be more specific than I had been before. When I do it, I usually let myself improvise a little. Still, I tried to give Nicole and Karine a touch of freedom within the confines of the musical structure.&lt;/p&gt;
&lt;p&gt;Sharing the Loie Fuller-influenced vocabulary for both works, tornado spins (re-named the &amp;ldquo;tulip&amp;rdquo; in Holland!), butterfly runs, nymph wafts, side flags, etc. has gotten me inspired for my next piece Ghosts. More to come on that later . . .&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
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 <comments>http://www.timelapsedance.com/node/177#comments</comments>
 <category domain="http://www.timelapsedance.com/taxonomy/term/69">europe</category>
 <category domain="http://www.timelapsedance.com/taxonomy/term/68">international</category>
 <category domain="http://www.timelapsedance.com/taxonomy/term/70">netherlands</category>
 <category domain="http://www.timelapsedance.com/taxonomy/term/67">rehearsals</category>
 <pubDate>Wed, 12 Mar 2008 16:33:18 -0700</pubDate>
 <dc:creator>Jody</dc:creator>
 <guid isPermaLink="false">177 at http://www.timelapsedance.com</guid>
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