Tickets: Free
Since the emergence of cinema in the late-19th century, the role of costume, fabrics and fashion has been crucial in conveying an aesthetic dimension and establishing a new sensorial and emotional relationship with viewers. Through the interaction of fashion, costume and film it is possible to gauge a deeper understanding of the cinematic, its complex history, and the mechanisms underlying modernity, the construction of gender, urban transformations, consumption, technological and aesthetic experimentation.
Moderator: Amy Herzog / Respondent: Jerry Carlson
Speakers: Jody Sperling − Loïe Fuller and Early Cinema
Caroline Evans − Early Fashion Shows and the “Cinema of Attractions,” c. 1900-1925
Michelle Tolini Finamore − “Exploitation” in Silent Cinema: Poiret and Lucile on Film
Drake Stutesman − Spectacular Hats! A New Kind of Identity in a New Kind of Love
About Sperling's Talk: In a period when movies were coming into being, the art of Loie Fuller and her many imitators, or "serpentine dancers," captured the essence of motion pictures. Instead of moving the "picture," they fanned their ample skirts to fashion dynamic, mobile screens. Appropriately, many of the earliest performers captured on film are serpentine dancers and Fuller look-a-likes. The presentation features slide-show of dozens of Fuller images, screenings of rare historical footage and select video clips from Sperling's recreations.
Presented by the Center for the Humanities; Concentration in Fashion Studies, MA in Fashion: Theory, History, Practice in the MA Liberal Studies Program, Film Studies, Women’s Studies and the Center for Gay and Lesbian Studies in conjunction with the Fashion in Film Festival